This is one of those books where you want to sit and talk about it for a couple of hours -- recapping and dissecting the events, analyzing, and speculating about what happens after the book ends; or you don't want to say anything beyond "just read it, I don't want to ruin anything for you." I could absolutely relish the former, but I'm going to hew closer to the latter. Harper's better to read on this than me, anyway.
So, here's the official blurb to keep me from slipping:
<blockquote>Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school into a world of robbery, violence, and the constant threat of death. And he does it to save her life.
Nate made dangerous enemies in prison—a gang called Aryan Steel has put out a bounty on his head, counting on its members on the outside to finish him off. They’ve already murdered his ex-wife, Polly’s mother. And Polly is their next target.
Nate and Polly’s lives soon become a series of narrow misses, of evading the bad guys and the police, of sleepless nights in motels. Out on the lam, Polly is forced to grow up early: with barely any time to mourn her mother, she must learn how to take a punch and pull off a drug-house heist. She finds herself transforming from a shy little girl into a true fighter. Nate, in turn, learns what it’s like to love fiercely and unconditionally—a love he’s never quite felt before. But can their powerful bond transcend the dangerous existence he’s carved out for them? Will they ever be able to live an honest life, free of fear?
<i>She Rides Shotgun</i> is a gripping and emotionally wrenching novel that upends even our most long-held expectations about heroes, villains, and victims. Nate takes Polly to save her life, but in the end it may very well be Polly who saves him.</blockquote>
The thing to remember about Nate -- he might be trying to be a good father, he may want to be a good father and act a certain way for Polly. But he's not a good guy. He's not a paragon of virtue, he's not a reputable citizen. He's a criminal -- and not an entirely successful criminal, with almost zero parenting skills. But man, he wants to try. Expect some heroics, but remember he's no Nick Mason, Jack Reacher or the like.
Polly? I don't know what to say about her. If you can read a few chapters of this and not fall in love with this little girl, want to adopt her and protect her from all this madness? Something's broken in you. She'll win your affections, you'll root for her, you'll pity her, you'll hope she survives this all intact.
There were a couple of other stand-out characters -- I'd get into them, but it doesn't matter. Your appreciation for this book comes down to this: what do you think about Nate and Polly and what they go through?
This is a tense thriller, with more than your typical emotional moments for the genre. Harper delivers both with equal skill and aplomb. As horrible as so much of this plot was -- this was a real pleasure to read, from cover to cover.
I first heard about this novel -- and author, come to think of it -- on <a href="http://twocrimewritersandamicrophone.libsyn.com/episode-thirty-three-jordan-harper" target="_blank">Episode 33 of <b>Two Crime Writers And A Microphone</b></a>, you might want to check it out.